One thing I like about jetlag is its ability to kickstart the sort of ascetic existence I have been leading since I got here. Not a drop of alcohol have I consumed since leaving Melbourne, with the unfortunate exception of accepting cognac with my coffee on Thai Airlines - ugh, Thai and cognac a contradiction in terms.
So, now it's all wake up at seven, eat a humble breakfast, work all day, hit a wall by about 6pm. The only problem is the subsequent evening attraction to the ever-soporific television, and so I find myself in semi-conscious state watching RnB clips interspersed with simpatico Norwegian advertisements. It's been years since I sat and watched popular filmclips (late night Rage is too random to count as popular), and in the interim I find that the cutetsy narratives of the eighties and playful video fx of the nineties have been usurped by straight-up softcore porn club-dancing, one after another, all the same. Remember how outrageous this was when Madonna did it in 1988? Well, it was outrageous to me as an eight-year-old, swallowing up all that Catholic controversy.

Now of course it's de rigeur. Are these women supposed to be 'empowered'? If it's a female artist, then you get the titillation of a 'personality' staring doe-eyed into the camera and doing her best to contort her belly, hips and arse to appear as though she is fucking some invisible entity. So perhaps the suggestion is that it's empowering to be more of a fuck-er than a fuck-ee. A grotesque splinter-branch of the Greer-esque seventies brand of 'you've had all the power too long, now it's our turn' type of feminism, perhaps.

Or, if it's a male artist, you get either some ugly fat bastard or a smarmy, wan-looking creep with a few anonymous female bodies daubed around him for effect. The women tend to look dewy and a bit removed, either in their personality or the attitude with which they convey their sexuality, or both. It's like some long-winded return to the archaic notion of the woman as embodiment of the cold and damp humours, though admittedly the men don't seem very hot. Though they are almost always drier than the women. Justin Timberlake is particularly irksome, his pseudo-moralistic wannabe-an-actor clip for 'goes around comes around' a case in point (If you act like a slapper, you will die horribly in a car crash, and then what's more your body will be posthumously groped by a wan creep a'la 'Bad Timing'.)

And, the insidious spread of fundamentalist christianity being something of a theme this week, I note that none of the values conveyed in this world depart far from the fundamentalist christian idea of the woman as perpetually perky-titted servant to her husband's aims, professional, social, ornamental and procreational all. 'In Bobbie's CD set
She Loves and Values her Sexuality she proclaims, "You might be happy with your weight but is your husband happy with your weight? … How are you going to do anything that might surprise your man when you need a hydraulic crane just to turn over in bed?" Boob jobs and face lifts get the thumbs up, as do good sex and a husband who says sorry with an impromptu spending spree at the jewellers. It's a feel-good message, and when it doesn't feel good, money makes it better.' (from
The High Cost of Faith by Jennifer Sexton).
Blargh. Give me Godardian sexuality any day.